Extensive Guitar Amp, Preamp, and Power Amp Modeling

Peavey ReValver Mk III models 15 of the world's most popular guitar amplifiers, including models of Peavey 6505®, JSX®, Classic®, ValveKing®, and Triple XXX® amps, through an exclusive algorithm that analyzes the interactions of the components on the circuit level based on the amps' original schematics. By controlling these amplifier models from the component level, ReValver is able to model every nuance with amazing accuracy.

ReValver also boasts 12 preamplifier models, 9 power amplifier models, 150 speaker simulations, and 20 microphone configurations, allowing the user to mix and match components to create a truly personalized custom tone.

Amplifier Models

Peavey 6505®
For over 15 years, the 6505® has been the super-high gain amp for hardcore rock players worldwide. Featuring 5 12AX7 preamp tubes, 4 6L6GC power amp tubes, and Patented Resonance and Presence controls, the 6505® is the sound of rock and metal.
Peavey 6505+®
The big brother of the 6505® boasts 6 12AX7 preamp tubes for additional bite.
Peavey JSX®
With unprecedented versatility, the JSX® offers the widest range of EQ options and gain structures. This 3 channel amp delivers sounds ranging from the Classic® 50 to vintage British to the modern Triple XXX® and all tones in between.
Peavey XXX®
Three all-tube channels of unrelenting sustain, gain, and power makes the XXX® the ULTIMATE tone machine. As hot as the name implies, the XXX® rips.
Peavey ValveKing®
Boutique features such as the patented Texture™ control take this amp from Class A/B saturation to vintage Class A tones, allowing  guitarists to coax virtually any tone from this amplifier
Peavey Classic®
Revered by guitarists of all genres worldwide for two decades, this amp delivers tone that is as classic as it’s name.
ACM 900
Modeled after a British amp built with both valve and solid state components. It has only 1 channel but the two gain knobs controls the gain at two stages in the preamp. This is the sound of classic rock.
Higher
Modeled after the "treadplate" rectified amp which contributed to the sound of modern heavy rock. This amp has 5 modes, Normal/Clean/Modern/Red/Vintage, each with different frequency characteristics and gain.
Bluesmaker
Loosely based on a 1962 British classic. This amp has 2 channels, a normal and a tremolo channel.
Fox ACS-45
Based on a widely revered amplifier that defined the sound of the British Invasion, it’s distinct tone is still as sought after today as it was then.
Basic 100
With one channel for guitar and one for bass, this  amp has a lot of bottom.
As the real thing, it does not provide much distortion but it is usually played "cleanish". The guitar and bass channels have different gain and tone stacks. The bass channel even has a "Deep" switch, shifting the frequency response of the Bass knob. On the guitar channel, the Bright switch gives you a brighter sound on lower gain.
Matchbox
The MatchBox is designed to provide clean to overdriven amplification with a minimum of clipping. It has as many as 4 gain stages with considerable attenuation between stages. It has a power amp in a push-pull configuration but no negative feedback (NFB). The sound is fitting for both guitar and for bass. This amp is using a very special tube configuration which gives you an extra bright sound.
LePetite
This amp contains preamp 3 chains in parallel which are fed into one power amp. The 3 channels can be mixed individually with the "blend" knobs.The three types are Clean/Diode/Triode. The second part of the amp consists of 1 triode tube and a push-pull pair of pentodes.
HomeBrew SE-1
The HomeBrew SE-1 is a low watt single ended amp with two channels. For a low watt circuit it has as many as 3 triode stages for gain. The amp has 2 channels, Clean/Dist.
HomeBrew PP-2
The HomeBrew PP-2 is a low watt push-pull amp with two channels and Britishtone stack.



Preamp Models




Peavey 6505 preamp: Peavey proudly introduces its 6505® Series guitar amplifiers, named in celebration of Peavey's first 40 years, 1965 to 2005. The 6505® preamp features 5 preamp tubes, with presence and resonance controls and three-band EQ for taming their notorious tone.




Peavey Classic 30 preamp: The Classic 30 has a dual channel preamp allowing quick variations of the tone - from vintage blues, to modern hard-rock and grunge tones. The boost switch is particularly useful in obtaining the more traditional "cranked-amp" tones without the harshness generated by sending too much low end to the power amp.




Peavey JSX preamp: This amp delivers sounds ranging from the Classic® 50 to vintage British to the modern Triple XXX® and all tones in between. The versatile and comprehensive control section supplies a master volume pot and independent volume knobs for each of the 3 channels (Ultra, Crunch and Clean). Tone shaping is accomplished through passive controls for Bass, Mid and Treble on the Clean channel, while the Ultra and Crunch channels utilize active low, mid and high controls.




Peavey ValveKing preamp: The ValveKing delivers a tone ranging from bluesey clean to crunchy and classic rock. The amp has a built-in spring reverb and separate tonestacks for the two Clean and Lead channels. The amp's preamp section uses 12AX7 tubes. The ValveKing also feature global resonance, presence and reverb controls.




Pre HB: Simple pre amp for clean and slightly overdriven sounds. The pre amp goes easily into overdrive, but distorts gently and relatively cleanly.




Pre amp Duo: This pre amp has 2 parallel channels; a triode tube path and a diode clipping path. The tube sound mixed with diode distortion makes an interesting and dynamic mix as the two components deliver two different overtone spectra.




'62 BluesMaker pre amp: This pre amp has been directly taken out of the BluesMaker '62 amp. It contains both channels, the clean and tremolo, including the tremolo controls.




Basic 100 bass pre amp: This is the bass channel pre amp in the Basic 100. The tone controls does not include a "mid" as the original does not have one. The deep switch lowers the frequency of the bass control.





Basic 100 guitar channel pre amp: This is the guitar channel pre amp from the Basic 100. It is rather clean and is difficult to distort as it contains only 2 triodes, none of which usually saturates.




ACM 900 pre amp: This is the pre amp section from the ACM 900. The two gain knobs control the gain in two places in the chain.




Flathill "Modern" pre amp: This is the "Modern" channel pre amp from Flathill. Very high gain and bright.




Flathill "Normal Red" pre amp: This is the "Normal Red" channel pre amp from Flathill. High gain. This pre amp has a presence control, something that usually sits in the power section. It gives a little extra control over the brightness.




Power Amp Models



Peavey 6505 power amp: Peavey proudly introduces its 6505® Series guitar amplifiers, named in celebration of Peavey's first 40 years, 1965 to 2005. 6505® Series power amps feature four 6L6GC power amp tubes, with the amps presence and resonance controls.




Peavey Classic 30 power amp: The Classic 30's power amp section is pure EL84 heaven. By decreasing the drive on the preamp and increasing the level of the power amp, you can achieve great EL84 saturation.




Peavey ValveKing power amp: The ValveKing's power amp section features the classic 4x6L6 lineup. The ValveKing, however, adds the patented Peavey Resonance control, as well as a presence control.




M-998: Simple power amp, which does not have a standard Long Tail Pair (LTP) to drive the push pull end stage, but is using 2 triodes in series, for extra gain. This power amp also uses a couple of tonal character filters, which can be tweaked in the Tweak GUI.




Standard power amp #2: This power amp has a standard push-pull end stage, but not driven by the usual Long Tail Pair (LTP). It does have a "clean" switch for less drive and slightly different tonal character.




'62 BluesMaker power amp: This power amp is taken directly out of the '62 BluesMaker. It has a drive and presence control. It has a standard Negative Feedback Loop (NFB) to which the presence control is attached to. The NFB shapes the distortion character of the power stage.




Basic power amp: This power amp is taken directly out of the Basic 100. As the original amp, the power section has only a master control. Even though the power stage has a Negative Feedback loop (NFB), it is not attached to a presence control. The NFB shapes the distortion character, and the amount can be set in the Tweak GUI.




ACM 900 power section: This power amp is taken directly out of the ACM 900.




Flathill power section: This power amp is taken directly out of Flathill.



Please note - The following features are only available with ReValver Mk III:

Models: ACM 900, Higher, Bluesmaker, Fox ACS-45, Basic 100, Matchbox, LePetite, HomeBrew SE-1, HomeBrew PP-2
Preamp Models: Pre HB, Pre amp Duo, '62 BluesMaker pre amp, Basic 100 bass pre amp, Basic 100 guitar channel pre amp, ACM 900 pre amp, Flathill "Modern" pre amp, Flathill "Normal Red" pre amp
Power Amp Models: Standard power amp #2, '62 BluesMaker power amp, Basic power amp, ACM 900 power section, Flathill power section